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13-22 November

Harry Christelis Quartet + Pillow (double bill)

Harry Christelis Quartet + Pillow (double bill)

Fri 20 November 2026

Stage time / 8:15pm

Doors / 7:30pm

Celebrating the Jazz Clubs

Location

Heath Street Baptist Church,
84 Heath Street
NW3 1DN

Tickets

£17 incl. fees

A very special EFG London Jazz Festival double bill from the London based jazz-adjacent quartet of Harry Christelis and Brighton based cinematic heros Pillow, both of whom find their own individual ways to create a deeply immersive and cinematic listening experience.

Guitarist and composer Harry Christelis presents his new album, ‘Preserving Fictions'. This record sees Christelis delve deeper into a sound world that has become synonymous with his name, fusing elements of jazz and folk traditions with ambient drones and delicate electronic textures to create a truly immersive listening experience. His quartet embrace a deeply communal approach to improvisation, colouring, shaping, and delineating every moment of each piece together. Expect dreamy psychedelic trips, expansive soundscapes, delicate moments of intimacy, and furious bursts of energy — all seamlessly bound by a tone that holds sombre and hopeful feelings in harmonious equilibrium.

“With shades of ECM, Jon Hassell and late-’60s Miles Davis, these meditative, minimalist creations are imbued with offbeat beauty.” MOJO ****
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Pillow is a modern classical outfit performing the dark and cinematic compositions of composer and multi instrumentalist James Osler. The music captures the richness of a classical tone, whilst embracing the freedom of improvisation and storytelling of haunting folk like melodies. Sighting influence from artists such as Jonny Greenwood, Max Richter and Harold Budd to name a few, Pillow embarks on telling their own story of how sounds can emerge and give meaning to life’s experiences.

“This is completely assured, first-class crossover music-making which deserves to be known far outside that ambit. Anyone who cares for music that stretches you to delight.” Fringe Review

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