Calexico and Iron & Wine + Lisa O'Neill
23 Nov 2019
LONDON Southbank Centre / Royal Festival Hall
TICKETS ON SALE FRIDAY 12 APRIL
Grammy Award-winner Rhiannon Giddens is a masterful singer, banjo and fiddle player, blending American musical genres like gospel, jazz, blues and country. Her elegant, prodigious voice and fierce spirit come alive in her performances, bringing audiences to their feet, whilst showcasing her extraordinary emotional range and dazzling vocal prowess.
Contagious delight and furious defiance. Giddens covers solemn material but her history lessons are thrilling and delivered with pure enjoyment
Rhiannon Giddens, who had previously won accolades with the Carolina Chocolate Drops, has released two great albums on Nonesuch – Freedom Highway and Tomorrow Is My Turn. She has also recently released Our Native Daughters, a collaborative project with Leyla McCalla, Amythyst Kiah and Alli Russell of Birds Of Chicago, which explores the historical experience of black women in the US.
When Rhiannon Giddens met Italian pianist and percussionist Francesco Turrisi, well versed in jazz, early music and Mediterranean music, they found that her 19th century American minstrel banjo tunes and his traditional Sicilian Tamburello (tambourine) rhythms fit very naturally together. They soon discovered the reason for that - their respective roots coexisted in the past. Pictures of early minstrel bands all represent banjo and tambourine (called tambo) together, where in many cases the tambo is held in the same manner of Southern Italian tamburello traditions today.
The massive effect that West African music and dance has had upon American culture is by now well known; but centuries before, European music was being transformed by Arabic and North African modes, instruments, and rhythms. Working together they trace this musical globalism by reimagining the encounter of the banjo and the frame drum, and other instruments, through their journey from Africa, the Middle East, through southern Europe and England, and over to the Americas
They release their album there is no Other on Nonesuch next month. Produced by Joe Henry and tracked over an intensely productive five day period in Dublin, the new record is at once a condemnation of “othering” and a celebration of the spread of ideas, connectivity, and shared experience.
Giddens puts a blend of folk, bluegrass and soul to tales of slavery, civil rights and racial issues that you could be forgiven for assuming were traditional until you discover that she wrote most of them