Fri 10 - Sun 19 November 2017

Matthew Stevens ‘Preverbal’

LONDON Ronnie Scott’s
47 Frith Street, Soho
London
W1D 4HT

A leading artist of his generation, “Matthew Stevens’ singular style dissolves the demarcation lines between jazz, rock and ambient music”. (Mojo).

Stevens' music is “honest and soulful” (Pitchfork) and his latest release 'Preverbal' is described as “music (that) advances the ideals of modern jazz”. (NPR)

Matthew Stevens is 'a singular talent brimming with a strong identity' (DownBeat) who 'navigates with ease among jazz, indie-rock, and soul' (NY Times). With his stellar trio of bassist Zack Brown and drummer Eric Doob, his debut recording as a leader, Woodwork, showcases his diverse stylistic mastery, at times warm, robust, fluid, and emotive.

Born in Toronto in 1982, one of Stevens' earliest influences was Jimi Hendrix. After graduating from Berklee College of Music in 2004, Stevens began to show up everywhere, as an essential element of the important new work by strong young artists like Christian Scott, Terri Lyne Carrington,

ERIMAJ, Sean Jones, Walter Smith III, Linda Oh and, notably, Esperanza Spalding, in whose Emily's D+Evolution project Stevens is key.

His playing has been met with critical acclaim: In 2016 DownBeat Magazine included Stevens in their 25 for the Future issue and placed him in their Annual Critics Poll Rising Star Guitar Category. His performances have been continually lauded in DownBeat Magazine, NPR, PopMatters, Billboard, the New York Times, the Guardian, and more. In 2015, he released his debut album as a bandleader under Whirlwind Recordings/Crystal Math. Titled Woodwork, it received enthusiastic reviews from DownBeat Magazine, The Kansas City Star,The Ottawa Citizen, Jazz Wise Magazine, Jazz Times Magazine, The Irish Times, Jay Z's Life and Times and more, and was described as 'an amalgamation of modern jazz and neo-fusion elements which showcase...sonic versatility and savvy producing chops' in LA Weekly. Its iTunes feature review praises Stevens' 'immense melodic gifts and deceptively intricate playing.'